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Sing, Unburied, Sing: SHORTLISTED FOR THE WOMEN'S PRIZE FOR FICTION 2018, by Jesmyn Ward
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Pressestimmen
This wrenching new novel by Jesmyn Ward digs deep into the not-buried heart of the American nightmare. A must (Margaret Atwood Twitter)A novel as blazingly hymn-like as the title suggests (Jon McGregor New Statesman 'Books of the Year')Beautiful in every sense ... Her characters feel wholly true ... Long after the end, we continue to worry after them, love them in spite of their faults, and feel their pain (Spectator)Hauntingly lyrical (Mail on Sunday)A powerfully alive novel haunted by ghosts; a road trip where people can go but they can never leave; a visceral and intimate drama that plays out like a grand epic, Sing, Unburied, Sing is staggering (Marlon James, Winner of the Man Booker Prize 2015)The connection between the injustices of the past and the desperation of present are clearly drawn in Sing, Unburied, Sing, a book that charts the lines between the living and the dead, the loving and the broken. I am a huge fan of Jesmyn Ward's work, and this book proves that she is one of the most important writers in America today (Ann Patchett)Ward is a lyrical, visceral storyteller, one who is as adept at conveying the tenderness of sibling love as the terror and brutality of racist violence (Daily Mail)Blazing with power, grief and tenderness, Jesmyn Ward's third novel breathes danger into the classic American road trip . What might, in less sure hands, have remained a local tale, makes a searing story of universal power . Ward takes the territory made so familiar by writers such as William Faulkner or Eudora Welty, and reclaims it (Financial Times)Ghosts, the voices of the dying, painful journeys across an unforgiving country. This is Faulkner territory. Ward's updated version is gruesomely fascinating, especially as she rounds out her story with characters of real-world complexity . Her cool handling of the mythical tropes of journeying and listening to ancestral voices makes this a harrowing, essential novel for our times (The Times)Maybe that's the miracle here: that ordinary people whose lives have become so easy to classify into categories like rural poor, drug-dependent, products of the criminal justice system, possess the weight and the value of the mythic . Such feats of empathy are difficult, all too often impossible to muster in real life. But they feel genuinely inevitable when offered by a writer of such lyric imagination as Ward (New York Times Book Review)
Werbetext
SHORTLISTED FOR THE WOMEN'S PRIZE FOR FICTION 2018WINNER OF THE NATIONAL BOOK AWARD 2017ONE OF BARACK OBAMA'S BEST BOOKS OF 2017
Alle Produktbeschreibungen
Produktinformation
Taschenbuch: 304 Seiten
Verlag: Bloomsbury Publishing (19. April 2018)
Sprache: Englisch
ISBN-10: 9781408890967
ISBN-13: 978-1408890967
ASIN: 1408890968
Größe und/oder Gewicht:
19,7 x 2,3 x 12,9 cm
Durchschnittliche Kundenbewertung:
4.0 von 5 Sternen
7 Kundenrezensionen
Amazon Bestseller-Rang:
Nr. 40.873 in Fremdsprachige Bücher (Siehe Top 100 in Fremdsprachige Bücher)
Powerfully moving novel delves into the very roots of inequity by way of fictional Bois Savage, Mississippi, a place witness to generations of mistreatment of native Americans and blacks alike: terrorized, violated, and forsaken. This is where 13-yr old Jojo and toddler Kayla (Michaela) are being raised by their elderly grandparents Pop (Riv) and Mam (Philomèna). Although their black mother Leonie longs to connect with the children on some level, she's unable to owing to her personality, personal demons including grief, guilt and drug addiction, and her over-riding preoccupation with Michael, the white father of her children. This story is embedded in history, is partially narrated by a ghost child named Richie, and takes place over the course of just one week. One incredibly harrowing week, involving a death-defyingly vomitous road trip to Parchman Penitentiary, to pick up the dad.Jesmyn Ward is a creative genius, this book simply must be read.
I was at first sceptical as I started this novel, but as it moved on and the voices changed, I was hooked. Fabulous tangling of narratives. Alive and dead. From an awful life to a wonderful sense of understanding. Still sad but with promise.
Moving book about a lost family. The ghosts of the past haunt them without closure... Told by various members of the family and Richie, who has long been dead...
Ein Roman in der Tradition der grossen US Schriftsteller die über die Welt der Weissen und (damals so genannt) Schwarzen Bewohner des Süden der USA. Extrem gut
Leonie would like to be a good mother, but she just is not able to. Luckily her two kids Jojo and the toddler Kayla are mainly raised by her parents, Mam and Pop. But now, Mam is in the stadium of cancer and her days are numbered. Additionally, Michael, the kid’s father, is going to be released from prison after three years behind the bars. Leonie is still in love with he, even though Michael’s family hates her, especially his father does not want the black woman in a white man’s house. And not to forget, it was Michael’s family who is responsible for Leonie’s brother’s death. Nevertheless, Leonie takes her kids and her best friend to make a trip to collect Michael. Jojo would prefer to stay with his Mam and Pop, but he is too young to defy his mother. And he has a task to accomplish which can only be done by someone who can listen.Jesmyn Ward, winner of the 2011 National Book Award for Fiction, portrays in “Sing, Unburied, Sing†a family at the point of collapsing. Her description of Leonie, the mother who just isn’t a mother, is heart-breaking and upsetting. At times, you just want to slap her and shout at her to take care of her children and of herself. To forget about the good-for-nothing father of her children and his racist family. Her twelve-year-old son not only has to parent the toddler, but also throughout the story seems to be much more mature than his mother and remarkably more reasonable and wiser. The only solace when it comes to the kids is the fact that their grand-parents are fond of them and raise them with tenderness and affection. It is hard to read about such a mother, but, on the other hand, it seems to be very realistic. These women who always dream of a better life with the man they love and ignore the painful reality do exist, if we like it or not.Apart from the outstanding character-painting, Ward’ novel plays with the supernatural. Yet, it is not that unbelievable fictitious creation of fantasy, much more does she derive her idea from some kind of pagan or religious belief in forces beyond our recognition that only the specially gifted can see or hear. Within the family, the blood of the super sensitive seems to run since Mam, Leonie and the kids can obviously communicate with those in the world between the living and the dead. Narrated like this, this seems to be a bit strange and unrealistic, the author, however, integrates this idea in a remarkable way which makes you accept it as a normal part of life and genuine fact.All in all, a novel which can persuade with the strong characters and a poetic style of writing which affects you deeply.
The main character in this story is a 13 year old boy named Jojo. He is the son of a drug addict mother and his father is in jail. He is the main caregiver of his little sister Kayla because his mother is inconsistent in their lives. He does have a grandmother and grandfather that care for him deeply - Pop and Ma - who live with him. Jojo's mother can't quite put mothering at the top of her list of needs above her drug addiction, She is also tornmented by the constant presence of her dead brother, Given, who died as a teenager.Jojo's dad is released from prison so his mom takes him and his sister to pick him up. Jojo meets a dead boy named Richie when he is at the prison. He was 13 when he was an inmate and carries the story of how bad the South was when he was there. He follows Jojo and his family home, hoping Jojo's grandfather - who knew the boy as an inmate - can help release him from earth.This was a pretty good story. Like one reviewer stated "I appreciated it, but I didn't love it" - is how I feel as well. The writing was fantastic. And my heart broke for Jojo and Kayla knowing that there are so many kids in their kind of situation. But other than that - I just didn't connect to the story. Plots seemed to swirl around each other, and I had trouble connecting the characters to the story.I am not saying don't read this book. There are too many things to like about it to pass it up. Just know that you may feel a little disconnected from the story. Or....you may not.
Nein zu negativ, war selbst im Land u weiß vieles noch nicht geloest- selten aber doch habe ich Lektüre abgebrochen
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